“Three Eagles Salish – September 4, 1805” by Richard Vernon Greeves is a sculptural portrait of unmistakable power—an homage to the Salish warrior spirit and the cultural strength embodied in one man. The bust features a commanding face beneath a buffalo headdress, with feathers sweeping from the crown and textures that blur the line between man and myth.

The date refers to the Lewis and Clark expedition’s first encounter with the Salish people. But this sculpture doesn’t recall the perspective of explorers—it honors the quiet authority of the encountered. “Three Eagles” is not shown in motion or battle. Instead, he stands still—watching, assessing, commanding space with poise rather than performance.

Greeves’ mastery is in letting the details do the talking: the asymmetry of the headdress, the subtle downturn of the eyes, the heaviness of fur cast in bronze. Together, they speak of wisdom, sovereignty, and unspoken resilience. A piece that doesn't ask for attention—it commands it.