Explore Sculptures

New and upcoming sculptural works in a range of materials. Each piece is one-of-a-kind or part of a limited series.

"Pulse Drive"

Keith Haring

The Audi R8 becomes a vibrant, rolling tapestry of Keith Haring's signature pop art style.

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"Jean Baptiste Charbonneau"

Richard Vernon Greeves

Before he walked the world, he slept in the arms of history.

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“Nez Perce Boys Wild and Free – September 20, 1805”

Richard Vernon Greeves

Before history arrived, they were already racing it.

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“Cheyenne Hunters – Circa 1804”

Richard Vernon Greeves

A breath before impact—when instinct, hunger, and history all take aim.

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“Cayuse – May 14–June 1806”

Richard Vernon Greeves

Every movement is myth—every gesture, a language older than maps.

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“Toussaint Charbonneau Family – August 17, 1806”

Richard Vernon Greeves

Not just a guide, but a family that walked the spine of a continent.

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“American Antelope – September 5, 1805"

Richard Vernon Greeves

Fleet as wind, sharp as memory—they ran before the maps were drawn.

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“Bird Woman Study”

Richard Vernon Greeves

Before she guided a nation, she carried the silence of flight.

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“White Tail Deer – May 1804”

Richard Vernon Greeves

Grace in stillness, memory in motion—the first witness of the frontier.

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"Book of Love"

David Kracov

Where every heartbeat leaps off the page.

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“Missouri Man – July 28, 1804”

Richard Vernon Greeves

He faced them with no fear—because he had nothing to prove.

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“Assiniboin Man – Winter 1804-1805”

Richard Vernon Greeves

He wears winter like armor, and silence like a blade.

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"Renoir Dancers"

Dorit Levinstein

93in x 48in x 48in

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"Osage – May 9, 1804"

Richard Vernon Greeves

A face like stone, carved from a people who never moved for the wind.

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“Lemhi Shoshonies, Horse Study – August 29, 1805”

Richard Vernon Greeves

Three figures, one purpose—carrying history through the mountains of the unknown.

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"Shoshone Pony – August 29, 1805"

Richard Vernon Greeves

Small in stature, massive in impact—this was the horse that changed everything.

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“Lemhi Wolf Dancer – Circa August 1805”

Richard Vernon Greeves

Half-man, half-myth—he moves like memory in the skin of the wolf.

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“Walla Walla Man – October 1805”

Richard Vernon Greeves

SOLD!

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“Omaha Man – Not Home, August 16-17, 1804”

Richard Vernon Greeves

He wasn’t there when they came—but his absence still speaks volumes.

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“Yankton Sioux – August 27, 1804”

Richard Vernon Greeves

He wore antlers not for show—but because the land had crowned him.

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“Absaroka Man – Winter 1804-1805”

Richard Vernon Greeves

The wind may cut, but he’s colder than the storm.

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“Oto Missouri Man – July 1804”

Richard Vernon Greeves

Unshaken and unbent—he stares back at history on his own terms

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“Three Eagles Salish – September 4, 1805”

Richard Vernon Greeves

Wearing beast and feather, he meets the unknown as legend, not witness.

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“Gros Ventres – Winter 1804”

Richard Vernon Greeves

Wrapped in winter, carved from legend—his silence carries the storm.

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“Piegan Blackfeet II – July 27, 1806”

Richard Vernon Greeves

Crowned in sovereignty—his silence speaks louder than any written history.

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“Salish Woman – September 4, 1805”

Richard Vernon Greeves

She doesn't look back—she meets history head on

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“Chinook Mother & Child – November 1905”

Richard Vernon Greeves

Wrapped in cedar and silence—she carries more than a child, she carries a legacy.

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“Nez Perce Woman and Travois – September 20, 1805”

Richard Vernon Greeves

Grace under burden—she carried more than goods, she carried a nation forward.

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“Grizzly Bear – September 1, 1804”

Robert “Drizzle” Holton

Power carved in bronze—a monument to awe, fear, and survival.

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“Piegan Blackfeet – July 27, 1806”

Richard Vernon Greeves

Watchful. Wary. Unforgotten—history stood in their shadow.

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“Spirit Dancers – September 28, 1804”

Richard Vernon Greeves

Two bodies, one rhythm—the earth remembers through the dance.

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“Jean Bptisti and Mother – July 1806"

Richard Vernon Greeves

She led the way not with maps—but with life on her back and vision in her stride.

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“Pride of Sacajawea”

Richard Vernon Greeves

The journey was hers—but the future rode on her back.

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“Running Elk – August 24, 1804”

Richard Vernon Greeves

Power in motion, history in stride—an untamed heartbeat of the plains.

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“Captain Lewis Meets The Shoshone – August 11, 1808”

Richard Vernon Greeves

A first encounter etched in bronze—dignity on horseback, history in motion.

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“Walla Walla Woman – October 1805”

Richard Vernon Greeves

A voice from the river valleys—silent, strong, unforgettable.

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“Mule deer – September 17, 1804”

Richard Vernon Greeves

Stillness in motion—a quiet sentinel of the American plains.

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“Upper Missouri Indian Skull – Winter 1804-1805”

Richard Vernon Greeves

SOLD!

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“Nez Perce Man – September 20, 1805”

Richard Vernon Greeves

“A warrior’s gaze locked in time—the frontier meets forever.”

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"Cactus Folie a Deux"

Dorit Levinstein

60in x 12in x 18in

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"Cactus Folie a Deux"

Dorit Levinstein

61in x 12in x 18in

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“Chinook – Proper Woman – Winter 1805”

Richard Vernon Greeves

She carries winter, memory, and meaning—all in silence.

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"Think"

David Kracov

Your thoughts called—David Kracov turned them into a comic strip and hung them on the wall.

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"Couleurs d'Eden"

Yoel Benharrouche

When a violin sings in color, Yoel Benharrouche conducts the heart.

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